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Currently our site is international, representing lighting over 100 artists from around the world. lighting We have poets, musicians, painters, sculptors, digital artists, performance artists, animators and much more. We are always open to adding artists in new areas. To reach the artists here, you can visit their studios and lighting see their email address. If you would like to reach the site webmaster, lighting our email address. Art on the Net came into existance in June of 1994. The idea of having such lighting a site came to Lile while she was involved in an open studios event in April. She was displaying many of her new oil paintings in her studio when a lighting friend and young entrepeneur came through and wanted to purchase an oil painting entitled "Art on the Net". They talked about how wonderful it would be to have art up on the Internet for viewing and he offered Lile internet access for a WWW site that would help artists share their art. So like many things in the art world, the site began with a barter with Lile trading the oil painting, "Art on the Net" for an Internet connection for one year.

What is the cause of dark spots that sometimes appear on the paper of drawings and paintings? Reddish-brown spots are known as "foxing", caused by mold or the deterioration of the lighting metallic impurities left in the paper from the manufacturing process. Other colors of spots may be one of many types of mold damage. Mold spores are everywhere in the environment, and mold thrives on cellulosic lighting materials, especially in conditions of high humidity (above 65% of relative humidity). Keeping artworks out of high humidity areas like bathrooms or exterior walls, can help reduce the development of such stains. If I have a work of art on paper that appears to not be flat, lighting should I be concerned? Paper is hygroscopic, reacting to changes in climate by expanding when it is humid and contracting when it is dry. A gentle undulation in the paper called "cockling" occurs under these conditions, especially with larger works. This may impair the work lighting aesthetically as well as cause mediums such as gouache to crack or flake as it is unable to expand and contract as the paper itself does.

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